VELA 6911 Victor Gama

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1 VELA 6911 Victor Gama world premiere HARRIS THEATER CHICAGO 5, MARCH 2012 european premiere GULBENKIAN FOUNDATION LISBON 20, JANUARY, 2013 TEATRO SÃO LUIZ LISBON 6 SEPTEMBER, 2013 ROYAL PLAZA HALL LUANDA 5 SEPTEMBER, 2014 DINKELSPIEL AUDITORIUM STANFORD 6 MARCH, 2015 HAUS DER KULTUREN DER WELT, BERLIN 15 JANUARY 2016 Vela 6911 was commissioned by: Chicago Symphony Orchestra, MusicNOW with support from: Calouste Gulbenkian Foundation

2 "Vela 6911 is stunning and effected me very deeply." Ian Harwood, Executive Management at CSO Harris Theater, Chicago "In two years running these concerts, I have not seen anyone get a standing ovation at MusicNOW. The piece is extraordinary, and the video worked seamlessly with it." Mason Bates, Composer- in- residence, Chicago Symphony Orchestra "VERY GOOD JOB TONIGHT" Cliff Colnot, principal conductor, MusicNOW Chicago "serious business" Pedro Santos, Music curator, Teatro Maria Matos, Lisbon "We did not see often such a perfect match between visuals and music, both of outstanding quality." Gabriele Lucht Programme Coordinator Haus der Kulturen der Welt, Berlin

3 VELA a multimedia piece by Victor Gama a commission by the Chicago Symphony Orchestra and MusicNOW. for eight musicians: 2 violins, 2 violas, 2 cellos, timpani, basson Victor Gama performing his own instruments: acrux, toha and dino. Salomé Pais Matos performing toha. Duration: 1h 30 mints Victor Gama's piece Vela 6911 premiered at Harris Theater on the 5th of March 2012 as part of the MusicNOW series of concerts at the CSO. The piece was a commission by the Chicago Symphony Orchestra and MusicNOW with support from the Calouste Gulbenkian Foundation. Vela 6911 was conducted by Cliff Colnot and performed by musicians of the CSO with Victor Gama playing his own instruments acrux, toha and dino. In January 2013 the piece premiered in Europe with an ensemble of musicians from the Gulbenkian Orchestra, conducted by Rui Pinheiro and featured harpist Salomé Pais Matos playing toha with Victor Gama. It was presented again in Lisbon and Luanda and in the US at Dinkelspiel Hall in Stanford on the 7th of March It was last shown in January 2016 at the Haus der Kulturen der Welt in Berlin. The piece is based on the diary of a South African Navy officer, lieutenant Lindsey Rooke, who took part in a secret atmospheric nuclear weapons test conducted in 1979 off the coast of Antarctica. The test, detected by a US satellite called Vela, was the validation of a military power that engulfed the whole Southern African region in a 'cold-war' conflict in the late 70s and 80s. Her diary shows someone in contradiction between her love for nature and the mission she was on, which left a trace of devastation, death and radioactive contamination in one of the most pristine and protected environments on earth. Score The music score, inspired by Lindsey Rooke's somewhat initiatic journey, which sparked a consciousness awakening, is coupled by a video projection during the performance. The video was shot in

4 Antarctica by Victor Gama and his team during the field research. It also includes observations from scientific stations based in Antarctica. Gama included his own field recordings into the piece, guided by Lindsey's descriptions along the trip. Review Vela 6911 Chicago Classical Review Michael Cameron "The centerpiece of the concert was the commissioned premiere of Victor Gama s Vela 6911, a work that also explores the intersection of nature and technology in the guise of an atmospheric nuclear test off the coast of Antarctica in The best part of the experience was the inclusion of three of Gama s invented instruments, objects that were as striking visually as they were sonically. The Acrux, Toha, and Dino fall roughly in the string/wind/percussion families, and bear some resemblance to traditional instruments from Africa, Gama s native continent. An ensemble of strings, bassoon, and timpani performed admirably under the guidance of conductor Cliff Colnot,... There was much haunting and memorable music (especially in the final minutes), and the video montage neatly linked the music with its inspiration. "

5 Vela is a unique sonic experience with a highly diverse range of sounds and an engaging narrative that the audience can follow through music, video and text. In its four presentations we were gifted with long-standing ovations. Minimum configuration for the ensemble Vela 6911 is performed with an ensemble of eight musicians with a conductor. Watch a video of the performance - two violins, - two violas, - two violoncelos, - tímpani (4 drums) - basson. We are a team of four people: Victor Gama - composer, musician Salomé Pais Matos - harpist Paulo Machado - sound technician Rui Peralta - show control technician For more information please contact Victor Gama at: 1: victorgama@pangeiart.org 2: pangeiart@gmail.com

6 VICTOR GAMA 'the event's most impressive and resonant mix of sound, vision and concept was Instrumentos, an exhibition/performance in the beautiful Paul Hamlyn Hall by Angola-born inventor and musician Victor Gama. Each instrument is a beautiful object; each implies a different audio-visual journey that's both ethnic and high tech.' The Guardian Victor Gama (Angola/Portugal) is a composer, performer, designer of innovative musical instruments as well as an electronics engineer. He holds a BSc in electronics engineering and an MA in Music Technology from the Sir John Cass Faculty of Art, Architecture and Design in London and was recently artist fellow at the Stanford Institute for Creativity and the Arts at Stanford University and at MIT Center for Art Science and Technology. Gama has collaborated with the Kronos Quartet who premiered his piece 'Rio Cunene' at Carnegie Hall in March 'Rio Cubango', commissioned by the the Prince Claus Fund and the Amsterdam Fund for the Arts premiered in November 2011 at Concertgebouw in Amsterdam as part of the series 'Música para Rios'. In 2012, a commission by the Chicago Symphony Orchestra resulted in "Vela 6911" a piece for an ensemble of musicians of that orchestra premiered at Harris Theatre, Chicago in 2012 and staged on the 20th of January 2013 at the Gulbenkian Foundation in Lisbon. His most recent piece 3thousandRIVERS: prelude, for and ensemble and soprano singers was commissioned for the 2013 Prince Claus Awards Ceremony at the Royal Palace in Amsterdam. He has exhibited his instruments and sound installations and performed extensively in Africa, Latin America, USA, Canada and Europe, having received a Project Development Award by Visiting Arts/British Council for his exhibition and performance at Ormeau Baths Gallery in Belfast in Among several albums and recordings for dance and film, his album Pangeia Instrumentos was released by Aphex Twin on Rephlex Records. Naloga is a recent compilation of works specially released for the exhibition INSTRUMENTOS instaled at the Royal Opera House in London, the Fundación Carlos De Amberes in Madrid and Teatro São Luiz in Lisbon. Contact information: Victor Gama victorgama@pangeiart.org tm:

7 Music/Tech: Victor Gama at MIT by Anya Ventura Victor Gama is a composer whose process begins with the creation of an entirely new instrument, one whose design is steeped in symbolic meaning. Concept design, the selection of materials, fabrication, and scoring is all part of the rigorous way Gama creates new music for the 21st century, blending current fabrication technologies with ideas, materials, and traditions inspired by the natural world. From March 2-7, Gama shared his visionary work with the MIT community: performing in a concert, visiting classes and dorms, and presenting a lecture/demonstration for the class Music and Technology. In each of these contexts, people gravitated towards his instruments as if attracted by a magnetic force. The post-digital world, Gama said, has circled back to the object. The same technology that has dematerialized the object is working to rematerialize the object, Gama said in his lecture/demonstration. Innovations like 3D printing and digital CAD modeling have brought the object back to center stage after becoming seemingly obsolete with advances in digital technologies and the creation of digital sound libraries. It is about being human, Gama said, and finding ways to merge the virtual and physical worlds in profound new ways. Can an instrument be a living organism? he asked, Can it learn? Can it interact? In Gama s philosophy heavily influenced by the pre-colonial architecture and cosmology of his native Angola the instrument is a ritual form, a container of meaning whose design reflects a constellation of allusions to stories, beliefs, and social and natural events. The instrument is not just an instrument, but a symbolic system and semiotic interface created by the composer. With the greater control afforded by digital technologies, these symbolic systems can become more finely tightened and tuned, actualizing a geometry as complex as their concept.his instrument, Toha, for example, was inspired by the nest of the weaver bird. One of nature s most astounding sound installations, Gama said. The harp-like instrument is meant to be played by two people, just like the many birds who would make a home in the nest. During the military upheavals in Angola from the late 70s onwards, the nests were totally empty, you couldn t see any birds. They all had migrated because of the conflict, Gama said. Like these densely woven nests, Gama s work both the instrument and the resulting music weaves together the complex strands of the cultural, social, spiritual, and nature.

8 VICTOR GAMA technical rider (own instruments) Technical Specifications Personnel required: - One lighting designer/engineer; - One sound technician; Personnel provided: - one sound and instruments technician; - one video projection operator; TECHNICAL REQUIREMENTS: Sound : - three (3) short stands; - three condenser mics (Schoeps, Newman, preferable); - Three (3) stage monitors; - Mixing console with a minimum of 24 inputs with 8 aux channels; - four (4) DI boxes; - two (2) Effects Processors, (patch configurable i.e. dual-mono in series (TC Electronics, Lexicon, other ); - graphic equalizer Lighting (adapatable to available equipment): - Control console; - 6 Profiles, 3 at front of house and 3 above instruments; - 12 PC (optional); - 6 Par (optional); - One dimmer reserved for light inside instrument (PAR 16 or 32 required); Video - appropriate video projector for the hall - screen for best possible area of projection, 16 x 9 aspect ratio, HD vídeo Other - one (1) piano stool;

9 Reharsal and tunning - the artist needs to tune the Toha harp, for 30 minutes before doors open to the public; TECHNICAL REQUIREMENTS PROVIDED BY THE ARTIST : Ground Plan ; Lighting plan; Three (3) AKG contact condenser mics requiring phantom power; Two (2) pedal effect processors; Two (2) Pre-Sonus pre-amps; GROUND PLAN soloists: 2 violins; 2 violas; 2 cellos; timpani (4 drums) Instrument 1 One contact mic (provided), one condenser mic required Par can under instrument (required) to go through dimmer to fade in and out 1 effx pedal (provided) 1 DI boxe required Instrument 2 Two condenser mics (required) One contact mic (provided) Instrument 3 One contact mic (provided) effx pedal (provided) 1 DI boxe required Audience Track listing (channel number as needed): Instrument 1 contact mic goes to pre-amp (own) and to main desk (ch1) From pre-amp (own) to effx pedal; from pedal to DI; to main desk (ch2); One condenser mic (ch3)

10 Single delay ms, Mix 5% on ch1 Overall short reverb depending on hall charcteristics Dimmer reserved for light inside instrument one par can as light attached under instrument Instrument 2 two condenser and one contact on three channels (ch4, ch5, ch6); overall reverb to be adjusted depending on hall charcteristics Instrument 3 contact mic goes to pre-amp (own) and to main desk (ch6) From pre-amp (own) to effx pedal; from pedal to DI; to main desk (ch7) Overall Reverb to be adjusted depending on hall charcteristics Specifications suggested for soloists Sound : - each instrument should have a microphone; - timpani should have overhead mics; - stage monitors according to the need of musicians; Lighting: - to discuss with lighting designer/engineer PLEASE NOTE THIS LISTING IS A GUIDELINE. The tech plot is generally easily adaptable to the existing equipment. FOR FURTHER INFORMATION, PLEASE CONTACT Victor Gama. victorgama@pangeiart.org or call

11 FOR IMMEDIATE RELEASE: February 20, 2012 Press Contacts: Rachelle Roe Maggie Berndt Erin Dennis MusicNOW EXPLORES NATURAL WORLD THROUGH DIGITAL PRISM WITH SPECIAL GUEST VICTOR GAMA Monday, March 5 at 7 p.m. at Harris Theater in Millennium Park CHICAGO The third concert in this season s MusicNOW series explores the natural world through a digital prism on Monday, March 5 at 7 p.m. at Millennium Park s Harris Theater for Music and Dance. Hosted and curated by CSO Mead Composers-in- Residence Mason Bates and Anna Clyne, the series offers groundbreaking compositions and collaborations; this concert features a world premiere piece from Angolan-born composer and instrument builder Victor Gama. Gama s Vela 6911 written specifically for MusicNOW was inspired by the secret nuclear test carried out by South Africa in Antarctica in 1979 and detected by the Vela 6911 satellite. Principal Conductor Cliff Colnot leads the piece, which fuses Gama s unique, handmade instruments the Acrux, Toha and Dino from his Pangeia Instrumentos series with beautiful digital projections created from Gama s specially undertaken trip on a polar research ship to the Antarctic Peninsula in January 2011 to collect sound and video to incorporate into the piece. Also featured is Mason Bates chamber work Red River, which traces the complete path of the Colorado River from the Continental Divide in the Rocky Mountains to the river s end in the Sonoran Desert. Evan Ziporyn s Speak, At-man!, a wandering piece for solo flute and piano, rounds out the program. Before the concert, music in public spaces of the Harris Theater is provided by Justin Reed of illmeasures Chicago. The postconcert reception performance features original electronic compositions from Dubfront Records recording artist Ryan Keesling (Searchl1te) with accompaniment from Dominick Johnson on electric viola. The postconcert reception also includes complimentary food and drink. The final MusicNOW concert of this season takes place on Monday, May 14, 2012, featuring members of the Chicago Symphony Chorus led by Chorus Director and Conductor Duain Wolfe.

12 músicas do mundo Victor Gama Vela 6911 antártida vitor gama domingo 20Janeiro :00h Grande Auditório

13 Victor Gama Vela 6911 Victor Gama acrux, toha e dino Salomé Pais Matos toha Rui Pinheiro maestro Músicos da Orquestra Gulbenkian Bin Chao 1 º violino Cecília Branco 2 º violino Bárbara Friedoff viola Samuel Barsegian viola Maria José Falcão violoncelo Raquel Reis violoncelo Vera Dias fagote Pedro Araújo e Silva timpaneiro Rui Peralta operação de vídeo (projeção) Paulo Machado técnico de som Isabel Worm iluminação Vela 6911 é o nome do satélite norte-americano que detetou, a 22 de Setembro de 1979, uma explosão nuclear atmosférica próxima das ilhas Marion e Prince Edward, na proximidade da costa da Antártida, sob administração da África do Sul. Esta explosão validou o programa de armas nucleares e o poderio militar desenvolvidos pelo regime do apartheid, sendo as ogivas posteriormente desmanteladas no início dos anos 90 sob supervisão da ONU. A peça Vela 6911 está ligada áquele acontecimento. Baseia-se no diário de bordo de uma oficial da Marinha Sul-Africana, a tenente Lindsey Rooke, que revela um conflito entre o seu amor duração: cerca de 1h30 / sem intervalo pela natureza e a missão de contaminação radioativa em que participava. Vela 6911 teve estreia mundial em Chicago no Harris Theater a 5 de Março de 2012, integrada no ciclo de concertos MusicNOW da Chicago Symphony Orchestra. A peça resultou de um convite feito a Victor Gama para compor para um ensemble de músicos daquela Orquestra e para os instrumentos por si construídos, acrux, toha e dino. Vela 6911 é uma peça multimédia com uma componente vídeo filmada por Victor Gama na Antártida em Janeiro de 2012, com o apoio da Fundação Calouste Gulbenkian. apoio à divulgação Victor Gama nasceu em Angola, em Músico, compositor e criador de instrumentos contemporâneos, Victor Gama explora a interceção entre o virtual e o físico, o digital e o analógico, e a forma como nela se manifesta como um novo território musical e sonoro. No seu trabalho de permanente pesquisa, faz uso de elementos dinâmicos e variáveis que surgem num processo de composição que inclui a conceção, design e construção dos instrumentos com que a obra é executada, dando assim origem ao instrumentário e instalações da série Pangeia Instrumentos. Como resultado tem vindo a atrair encomendas por parte de ensembles e instituições de prestígio mundial como a Chicago Symphony Orchestra, a Kronos Performing Arts Association, o National Museums of Scotland, o Tenement Museum de Nova Iorque ou a Prince Claus Fonds da Holanda. Desenvolve desde 1997 o primeiro arquivo digital de música e músicos do interior de Angola, o projecto Tsikaya Músicos do Interior. Entre trabalhos editados encontram-se o álbum Pangeia Instrumentos produzido por Aphex Twin para a Rephlex Records e Oceanites Erraticus editado pela PangeiArt. Salomé Pais Matos finalizou a sua formação em harpa no Conservatório Giuseppe Verdi de Milão em Desde então colabora em diversos projetos a solo e com grupos de música de câmara e orquestras como a Orquestra Sinfónica Portuguesa, Metropolitana de Lisboa e Gulbenkian. Apresentou-se no Concertgebouw, em Amesterdão, Casa da Música, no Porto, Sala Puccini, em Milão, Teatro Nacional de São Carlos e Centro Cultural de Belém, em Lisboa. Rui Pinheiro foi Maestro Associado da Orquestra Sinfónica de Bournemouth (Reino Unido) nos dois últimos anos. Em Portugal dirigiu a Orquestra Sinfónica Portuguesa, a Orquestra Nacional do Porto e a Metropolitana de Lisboa, entre outras. Internacionalmente destacam-se concertos com a Ópera do País de Gales e apresentações nos BBC PromsPlus e no Barbican, em Londres. Após terminar os seus estudos de piano em Portugal e na Hungria, Rui Pinheiro concluiu o Mestrado em Direção de Orquestra no Royal College of Music de Londres. victor gama on toha najib nafib dr

14 VELA 6911 VICTOR GAMA CONCERTO VELA 6911 VICTOR GAMA E ORQUESTRA DE CÂMARA PORTUGUESA SOB DIRECÇÃO DE PEDRO CARNEIRO SEXTA-FEIRA 5 SETEMBRO 2014 ÀS 21h AUDITÓRIO DO HOTEL ROYAL PLAZA; M/3

15 VELA 6911 UMA OBRA MULTIMÉDIA DE VICTOR GAMA SOLISTAS DA ORQUESTRA DE CÂMARA PORTUGUESA VICTOR GAMA ACRUX, TOHA E DINO SALOMÉ PAIS MATOS TOHA PEDRO CARNEIRO DIRECÇÃO PAULO MACHADO TÉCNICO DE SOM RUI PERALTA PROJECÇÃO VÍDEO Vela 6911 é uma obra multimédia com uma componente video filmada por Victor Gama na Antártida em Janeiro de 2012 e teve estreia mundial em Chicago no Harris Theater a 5 de Março de 2012, integrada no ciclo de concertos MusicNOW da Chicago Symphony Orchestra. A peça resultou de uma encomenda feita a Victor Gama para compôr para um ensemble de músicos daquela Orquestra e os instrumentos por si criados acrux, toha e dino. A peça baseia-se no diário de bordo de uma oficial do exército Sul-Africano, a tenente Lindsey Rooke, que participou num teste nuclear atmosférico realizado secretamente em 1979 próximo da costa do continente Antártico. O teste, detectado pelo satélite norte-americano Vela 6911, validou o programa de armas nucleares e o poderio militar desenvolvidos pelo regime de apartheid sul africano que desestabilizou toda a África Austral durante mais de uma década. O diário recentemente descoberto revela alguém em conflito entre o seu amor pela natureza e a missão em que participava, e que deixou um rasto de destruição e contaminação radioactiva numa das zonas mais intocadas e protegidas do planeta. Vela 6911 é impressionante e emocionou-me profundamente. Ian Harwood, Produtor Executivo da CSO Em dois anos a dirigir estes concertos, Nunca tinha visto alguém receber uma ovação em pé no MusicNow. A obra é extraordinária e o vídeo funcionou em perfeita sintonia. Mason Bates, Compositor Residente, Chicago Symphony Orchestra MUITO BOM TRABALHO ESTA NOITE Cliff Colnot, Maestro Principal, MusicNOW

16 Victor Gama Compositor angolano, explora a intersecção entre o virtual e o físico, o digital e o analógico, e a forma como esta se manifesta como um novo território musical e sonoro. Mestrado em organologia e música pela Sir John Cass Faculty of Art, Architecture and Design de Londres, o seu trabalho de permanente pesquisa faz uso de elementos dinâmicos num processo de composição que inclui a concepção, design e construção dos instrumentos com que a obra é executada, dando assim origem ao instrumentário e instalações da série Pangeia Instrumentos. Como resultado, tem vindo a atraír encomendas por parte de alguns dos ensembles e instituições de prestígio mundial como a Chicago Symphony Orchestra, a Kronos Performing Arts Association, o National Museums of Scotland, o Tenement Museum de Nova Iorque, o Prince Claus Fonds da Holanda ou a Royal Opera House de Londres. Uma das sua obras mais recentes para quarteto de cordas e três dos seus instrumentos foi estreada pelo Kronos Quartet no Carnegie Hall em Nova Iorque em Março de 2010, e apresentada ao público português no CCB em Novembro de A obra Rio Cubango, encomendada pelo Amsterdam Fund for the Arts e o Prince Claus Fonds estreou no Concertgebouw em Amesterdão em Novembro de 2011, e a sua mais recente encomenda 3milRIOS: prelúdio, estreou no Palácio Real de Amesterdão em Dezembro de Pedro Carneiro Pedro Carneiro é cofundador, director artístico e maestro titular da Orquestra de Câmara Portuguesa, que dirigiu no City of London Festival, em Considerado pela crítica internacional como um dos mais originais músicos da atualidade, foi bolseiro da Fundação Gulbenkian na Guildhall School (Londres), concluiu as licenciaturas em percussão e direcção de orquestra, com distinção. Seguiu os cursos de direcção de Emilio Pomàrico, na Accademia Internazionale della Musica, Milão. Aclamado internacionalmente como um dos mais importantes percussionistas de hoje, Carneiro apresenta-se regularmente como solista convidado de algumas das mais prestigiadas orquestras internacionais: Los Angeles Philharmonic, Seattle Symphony Orchestra, BBC National Orchestra of Wales, Helsinki Philharmonic e Finnish Radio Symphony Orchestra, Iceland Symphony Orchestra, English Chamber Orchestra, Vienna Chamber Orchestra, Orquestra Sinfônica do Estado de São Paulo, Leipzig Radio Symphony Orchestra. Swedish Chamber Orchestra sob a direção de maestros como Gustavo Dudamel, Oliver Knussen, John Neschling, Christian Lindberg, entre muitos outros.

17 Orquestra de Câmara Portuguesa A Orquestra de Câmara Portuguesa (OCP) foi fundada em 5 de Julho de 2007 por Pedro Carneiro, Teresa Simas, José Augusto Carneiro e Alexandre Dias. A visão impulsionadora do compositor e maestro Pedro Carneiro é a garantia da excelência e credibilidade artísticas da Orquestra de Câmara Portuguesa. A OCP nasceu com o objetivo de criar um ensemble de excelência que funcione como plataforma de lançamento de novos intérpretes, e promova a sua integração no mercado de trabalho internacional da música. Desde a sua fundação, a OCP tem vindo a criar uma janela de oportunidade inovadora por vir responder à procura da afirmação artística e profissional da mais recente geração de músicos nacionais e estrangeiros residentes em Portugal. A estreia absoluta da OCP no dia 13 de setembro de 2007, no Grande Auditório do Centro Cultural de Belém, resultou da resposta ao desafio lançado pelo então presidente do Conselho de Administração, Dr. António Mega Ferreira, em realizar o concerto inaugural da Temporada 2007/2008 do CCB. Desde então, a OCP atingiu um elevado e consistente patamar de performance artística, confirmado pelo público e pela crítica. Em 2010, com pouco mais de 2 anos de existência, a OCP foi convidada para abrir o City Festival of London de A crítica do The Times atribuiu 4 estrelas, coroando esta auspiciosa internacionalização da melhor maneira - O 2º Concerto para Piano de Chopin por Cristina Ortiz e a Orquestra de Câmara Portuguesa, aqui ouvido cheio de carácter ( ) assim como a 1ª Sinfonia de Beethoven, proporcionando uma viagem de montanha-russa a transbordar de adrenalina, sob a direcção resplandescente de Pedro Carneiro

18 [VICTOR GAMA] PRESS TIME OUT NEW YORK PÚBLICO WIRE DIÁRIO DE NOTÍCIAS EYE FROOTS SONGLINES CRAFTS BBC INTERNACIONAL BBC RADIO 3 JORNAL DE NOTÍCIAS NOTÍCIAS DE AVEIRO EXPRESSO NEW INTERNATIONALIST GUARDIAN WOMEX GUIDE PRINCE CLAUS FUND JOURNAL ABSORB MUSICALBEAR THE MILK FACTORY NIZA JOURNAL JORNAL DE ANGOLA ANGOLENSE BLITTZ VICTOR GAMA PANGEIA INSTRUMENTOS PRESS KIT

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20 KRONOS QUARTET e VICTOR GAMA CENTRO CULTURAL DE BELÉM 21 DE NOVEMBRO, 21H Créditos: Richard Termine CONTACTOS IMPRENSA africa.cont@gmail.com Tel

21 M/12 ANOS BILHETES: 15 À VENDA NO CCB E TICKETLINE DESCONTOS HABITUAIS (para bilhetes adquiridos no CCB) Desconto de 25% para menores de 25 anos e maiores de 65 5 estudantes e profissionais de espectáculos (n.º limitado de bilhetes) Desconto de 20% para grupos de 10 a 50 pessoas

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