PROGRAMME. March 18-20, 2015 Óbidos, Portugal. Pre-Conference Day. 09:30 WORKSHOPS AND TUTORIALS (Museum Abílio de Mattos, room 2)

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1 PROGRAMME March 18-20, 2015 Óbidos, Portugal Mar 18, 2015 Pre-Conference Day WORKSHOPS AND TUTORIALS (Museum Abílio de Mattos, room 2) Mar 19, th International Conference on Digital Arts 09:00 REGISTRATION OPENING SESSION 10:00 KEYNOTE: Christa Sommerer, Evaluating Interactive Art: from Attention Economy to the Art Market Chair: José Bidarra, Universidade Aberta (PT) (Auditorium) 11:00 COFFEE BREAK SESSION 1: New Systems for Artistic Applications (Auditorium) Chair: Rosangella Leote, UNESP-SP (BR) André Baltazar and Luis Gustavo Martins. ZatLab: Gesture Recognition Framework for Artistic Performance Interaction Overview (SP) Milton Sogabe. Subversão e falsa interface na arte interativa (FP) Celeste Sanchez Saenz de Tejada, Marina Zerbarini, Carina Ferrari and Daniel Alvarez Olmedo. Intersecciones de espacios físicos y virtuales. Emergencia de nuevos conceptos y dispositivos en el arte y la cartografía (FP) Soraya Cristina Braz Nunes and Fabio Nunes. Deliberator : reflexões poéticas sobre o universo da impressão 3D (FP) SESSION 2: Augmented Reality (Room 1, Museum Abílio de Mattos) Chair: Leonel Morgado, Universidade Aberta (PT) Paulo Sellmayer, Miguel Gaspar, Artur Mateus, Sal Nunkachov and Aldo Magalhães. Augmented Reality Sculpture Bases for Public Space (FP) Giovanna Graziosi Casimiro and Luiz Antonio Moura Neto. Meio Expositivo:

2 Espaço em construção pela Realidade Aumentada (FP) José Gomes, Mauro Figueiredo, Lúcia Amante and Cristina Gomes. Augmented reality exhibition depicting the aesthetic periods of music history (FP) Andréa Souza, Luis Paschoarelli and João Marar. Guidelines for Best Practice of Augmented Reality in Websites Emphasizing Usability (SP) SESSION 3: Media Art and Digital Cultures (Room 2, Museum Abílio de Mattos) Chair: Patrícia Gouveia, Noroff University College, Norway (NO) Su Hyun Nam. Media Art in the Age of Digital Production: Digital Identities (FP) John Knight. Digital Art and Engagement (FP) António Brito, Rui Leitão, J.M.F Rodrigues and Adérito Marcos. Aplicações de Videoarte na Interpretação de Tradições Regionais (FP) Veronica Metello and Rudolfo Quintas. Curating Digital Art: Pr (e) SENSE (SP) 13:00 LUNCH 14:30 SESSION 4: Art and Science Theory (Auditorium) Chair: José Coelho, Universidade Aberta (PT) Rogeria Eler. Narcisos Digitais, um potencial no contexto da inteligência coletiva (FP) Tiago Assis. O Jogo do Espetacular (FP) Maria Amelia Bulhões. How to do it? Desafios para a crítica de arte on-line (FP) Rosangella Leote, Hosana Oliveira and Danilo Baraúna. Abordagens da neurociência sobre a percepção da obra de arte (FP) 14:30 SESSION 5: Digital Storytelling and Games (Room 1, Museum Abílio de Mattos) Chair: Nelson Zagalo, Universidade do Minho (PT) Patrícia Gouveia. Serious gaming: how gamers are solving real world problems (FP) Cristina Gomes, Mauro Figueiredo, José Gomes and José Bidarra. Projeto Flappy Crab : um jogo educacional para o ensino da Música (FP) Francisco Guimarães, Mauro Figueiredo and José Rodrigues. Realidade Aumentada e Transmedia Storytelling em Museus e Património Cultural: Artefacto Digital I-Lugar (SP) Mario Dominguez, Fernando Paulino and Bruno Silva. Considerando o docu-game como modelo de representação do património cultural immaterial (SP)

3 14:30 SESSION 6: Audio-Visual and Multimedia Design (Room 2, Museum Abílio de Mattos) Chair: José Bidarra, Universidade Aberta (PT) Rudolfo Quintas, Miguel Teixeira and Aderito Marcos. eexperimentar: uma aplicação web de suporte à experimentação artística visual baseada na estilização de imagens (FP) António Domingos. Experimentando a criação de videoarte fractal (FP) Rita Gradim and Jorge Cardoso. Cubesic: um controlador para itunes baseado no cubo de Rubick (SP) Hernando Urrutia. Proyección multimedia mural en el espacio público: la difusión y formación a partir de la urbe (SP) 15:30 COFFEE BREAK 16:00 Visit to Art Installations (see locations in the map) 17:30 ARTECH General Assembly 19:30 CONFERENCE DINER (requires registration) Mar 20, th International Conference on Digital Arts SESSION 7: Design and Visualization (Auditorium) Chair: Adérito Marcos, Universidade Aberta (PT) Linda Matthews and Gavin Perin. Transforming pixel hierarchies: the new materiality of the city image (FP) Gavin Perin and Chris Bowman. Drawing Out Movement (FP) Adrian Carballal, Luz Castro, Juan Romero and Rebeca Pérez. Aesthetic Composition Indicator based-on Image Complexity (FP) Ana Filomena Curralo. Generative Design and Information Visualization (FP) SESSION 8: Enabling Media Technologies (Room 1, Museum Abílio de Mattos) Chair: Ana Amélia Carvalho, Universidade de Coimbra (PT) Patrícia Rodrigues and José Bidarra. Design of a Transmedia Project Targeted to Language Learning (FP)

4 Ana Cristina Marques and Nelson Zagalo. A Narrativa Transmedia em Contexto Escolar (SP) Silvia Torsi and Fausto Giunchiglia. Early prototyping for prospective memory, behavior change and self-biography (SP) Ricardo Melo and Miguel Carvalhais. Sentience and Information Encountering in the Digital Médium (SP) Paula Escudeiro, Nuno Escudeiro, Rosa Reis, Ana Bela Baltazar, Pedro Rodrigues, Jorge Lopes, Marcelo Norberto, Maciel Barbosa and José Bidarra. A Kinect Game in the VirtualSign Project: Training and Learning with Gestures (SP) SESSION 9: Music, Dance and Performative Arts (Room 2, Museum Abílio de Mattos) Chair: Mirian Tavares, Universidade do Algarve (PT) Helena Santana and Maria do Rosário da Silva Santana. A instalação sonora como espaço de arte plural: a electrónica ao serviço da determinação das obras Tonnetz 09-B (2010) e A Dama e o Unicórnio (2013) de António de Sousa Dias (FP) Mirella Misi and Christian Heijens. Sistemas de Realidade Aumentada como Ambientes para a Dança: Análise Descritiva de dois Experimentos (FP) Ludmila Pimentel and Isa Sara Rêgo. Um Exemplo de Cibercorpo na Dança: a Performance e o Pensamento de Isabelle Choinière (FP) Ludmila Pimentel and Mirella Misi. New Experiences of Embodiment in Dance: An interface between Merleau-Ponty and Gretchen Schiller concepts (SP) 11:00 COFFEE BREAK KEYNOTE: Álvaro Barbosa, Creative Industries in Macau: Innovation and Tradition at USJ Chair: Adérito Marcos, Universidade Aberta (PT) (Auditorium) 12:30 CONFERENCE CLOSING 13:00 Free Afternoon Tour of Alcobaça, Foz do Arelho, Nazaré and Óbidos (requires registration) Full papers (FP) have 20 minutes presentations, Short papers (SP) have 10 minutes presentations, both including time for questions.

5 Art Installations Author Location Time ComPassos com Histórias Isabel Carvalho, José Bidarra, Mauro Figueiredo Floor 2 hall 17:00 Entrapment plasticity of the infinity of sea Karla Brunet Floor 2 hall 17:10 ABÍLIO DE MATTOS MUSEUM Selfie Museum Demora-te: Instalações sobre os têxteis tradicionais Sérgio Eliseu, Paulo Bernardino Floor 2 Room 1 Selma Pereira Floor 1 Room 2 17: 20 17:30 Tempus dress Teresa Barradas, José Coelho, Miriam Tavares Floor 1 Room 1 17:40 Presénce nº 1 Rudolfo Quintas Floor 1 Room 3 17:55 As águas, mar e oceano Laurita Salles, Aquiles Burlamaqui, Gabriel Gagliano Floor 1 Room 4 18:05 PELOURINHO GALLERY uturn Acácio Carvalho, Isabel Carvalho, José Pinheiro Floor 1 Room 5 18:15 Sopro Fernando Fogliano et al. Floor 2 Room 2 18:25 As Entrelinhas Poéticas Estela Lago Floor 2 Balcony Art Installations will be available for visitors during the two days of the conference.

6 (5) Auditorium (15) Pelourinho gallery (14) Óbidos Lounge restaurant (11) Museum Abílio de Matos